Thursday, February 7, 2013

He Said: The Weeknd "Trilogy"



It’s been a long time since I’ve listened to an album from start to finish; even longer since I was inspired to do so by an artist I was unfamiliar with. Till the other day. That’s when I heard “Wicked Games” by The Weeknd. I heard the end of the song on the radio, grabbed Shazam to figure out what it was, and then proceeded to Spotify to get the whole story. That whole story is “Trilogy”, the 3-part compilation of previously released mix tapes now lovingly remastered and crafted into a 3-hour narrative describing an evening’s (or perhaps a life’s) descent into debauchery. 

It’s fitting that it unfolded this way because Abel Tesfaye is most definitely an artist fully representative of the post-modern technological society we live in. His music somehow simultaneously captures the immediacy of emotion with which we all live and the soul-crushing weight of solitude that technology brings with it. The Weeknd conveys a manipulated, deep, dark psyche that is probably relatable to at least the previous and current generations. A young adult thrust into a world of heavy drug use, lack of privacy, anonymous/multi-partner sexcapades, and the regret that follows all of those behaviors.

This album is dense; layered with eccentric samples and at least one complete cover (a ballsy yet almost unerring version of Michael Jackson’s “Dirty Diana”). If the unfolding of all 3 albums is as intentional as “Trilogy” would have us believe, then The Weeknd may be a musical genius in the making. The production value is amazing (helped ably by some of the current best in the industry). Drake and Clams Casino pop in for the occasional verse, but it is definitely Tesfaye’s hauntingly beautiful voice that is on display. Half-singing/half-rapping through most tracks, there is a definite trip-hop influence (for lack of a better term), though it is melded with the chopped-and-screwed vibe permeating so much hip-hop today. Psychedelic soul? Fucked-up funk? I’m not sure there’s an apt genre in which to squeeze this.

Make no mistake, this album is dirty. I mean wake-up-in-the-gutter dirty. And if you’ve ever woken up wondering what you did last night, where your money is, why everyone seems to hate you, and you have no idea where you are…

Don’t say I didn’t warn you.

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